Otte Wallish (; 1906–1977) Otte Wallisch was a Czech–Jewish artist and émigré to Mandatory Palestine who established himself as a graphic designer and contributed to the self-representation of the newly-founded State of Israel as a Jewish state.
Born in Znojmo, Austria-Hungary, Wallish studied at the Academy of Fine Arts in Vienna before emigrating to Mandatory Palestine in 1934. He played a significant role in shaping the visual identity of the nascent State of Israel, most notably by designing the scroll for the Israeli Declaration of Independence and the country's first postage stamps, known as the Doar Ivri series. Wallish's work extended to various aspects of Israel's national symbolism, including the design of coins, banknotes, medals, and logos for major corporations. He also created posters promoting Zionism and Aliyah. His contributions to Israeli visual culture spanned from the pre-state period through the early decades of independence, making him a key figure in the development of Israeli graphic design and national iconography.
For example, art critic Ronnen incorrectly criticizes the Israel Museum about the artist's name: "However the labels at the show are also in English, with some errors, like Otte for Otto.")
During the 1930s and 1940s, Wallish worked on artistic arrangement, Chart, and other design aspects for books. In 1929, his own book was published, ABC: Ein Bilderbuch. In 1936, Wallish set up a design studio in a building in Nahalat Binyamin, Tel Aviv, that had been chosen as a national landmark. His design studio doubled as a kind of front for SHA'I, the Haganah's secret service.
Wallish's scroll was prepared in three sections that were bound together. The original Declaration scroll is located in Israel's National Archives. Blue and White Pages Exhibition, The Israel Museum, 2008. In honor of the 60th Anniversary Celebration in coordination with the Israel State Archives He based the calligraphy style on a Torah scroll from the 16th century.
In addition, Walisch handled the preparation of the exhibit hall in which the State's Independence was announced. At the direction of Ben-Gurion and the immediate guidance of Ze'ev Sharef, Secretary of the National Administration, Wallish had the hall cleared of art not related to Jews and Israel. He had the hall's works exchanged for such works as Marc Chagall's Jew Holding a Scroll.
In 2007, several original pieces of Wallish artwork for the Doar Ivri stamp were sold at auction. In one preliminary essay, the stamp is designed as a triangle. Furthermore, in another Wallish essay, the stamps on the first day cover were prepared with the "wrong" name of the state: Yehudah (, cf. Judah or Judea), as shown here.See the description:
Wallish also contributed a variety of original designs, including stamps commemorating Petah Tikva's 70th anniversary, Israel Independence Day (1951, 52, 54, 57, and 58), World Refugee Year (1960), the 25th Zionist Congress (1960), and the centennial of the Hebrew press in Israel (with a Halbanon newspaper page in the background, 1963). He also designed a menorah stamp (1952) and a defense series (1957), with the insignia of the Haganah.
In 1950, Wallish designed a stamp to celebrate Israel's acceptance into the Universal Postal Union. With a globe in the background, the design foregrounds the symbol of the Israel Post, a running stag. He had submitted a bid for a design of the Israel Post symbol but had lost out to the brothers Shamir, who were also active in designing stamps. In 1952, Wallish again featured the running stag in his new series of postage dues. In 1957, the UPU graphic was enlisted for the first Israeli . Wallish lost out to the brothers Shamir again in competing for the 1949 Jerusalem stamp. Whereas the winning design depicts a scene looking up toward the city and the Tower of David, the Wallish artwork shows a flat approach and two religious Jews on the path to Jerusalem. Israel Philatelist June 2005 (third in series)
Less well known are the stamps that Wallish designed but were not mass-produced. In 1948, the Israeli Army planned to print special . Wallish submitted designs that were accepted and printed on a trial basis in July 1958. One stamp (10 mil) portrayed a Jewish warrior from Egypt, another (15 mil) the Menorah from the Arch of Titus, and the highest denomination bore the sword and olive branch insignia of the Haganah. However, civilian postal officials turned down the idea and the four-color stamps were never put into use.Goldwasser, Marcy A. "Behind the Triangle" in The Jerusalem Post 12 February 1993, p. 30
Over the years, Wallish also designed posters. For instance, one poster shows the Jewish immigration by ship and another promotes the ZIM shipping line. His posters have been featured in exhibition and the 1997 "Selling Zionism" exhibit at the Israel Museum. In 2006, a Wallish poster was shown at "The New Hebrews: 100 Years of Art in Israel" exhibit, Martin-Gropius-Bau in Berlin. An art critic states that " We Will Immigrate (1946) by Otte Wallish (1903–1977) shows a threatening-looking barrage of ships poised to release their passengers—possibly illegal immigrants—onto Palestine's shores."
His posters are displayed as well at the Central Zionist Archives and the Tel Aviv Museum.
Israel's Declaration of Independence scroll and ceremony
Postal stamps
Israel's first Doar Ivri stamps
and the image:
. The first day cover artwork includes a date 5 April 1948 but may have been prepared beforehand. He had also proposed to put Eretz Yisrael on the stamps, which the provisional government leaders turned down as well. After speaking privately with German , who recommended a Hebrew equivalent to Deutsche Post ("German Mail"), Wallish proposed the phrase Doar Ivri, which was accepted.
Other Israel stamps
Numismatics
Israel's first coins
Banknotes, medallions and medals
Posters and symbols
Selected works
External links
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